A specimen of our own national sport, The British Boaxe, was announced to be given at the close of the evening. In an evil hour, I determined to wait for this Boaxe, as became a Briton. It was a clumsy specimen (executed by two English grooms out of place), but one of the combatants, receiving a straight right- hander with the glove between his eyes, did exactly what the large dark creature in the Morgue had seemed going to do - and finished me for that night.
There was rather a sickly smell (not at all an unusual fragrance in Paris) in the little ante-room of my apartment at the hotel. The large dark creature in the Morgue was by no direct experience associated with my sense of smell, because, when I came to the knowledge of him, he lay behind a wall of thick plate-glass as good as a wall of steel or marble for that matter. Yet the whiff of the room never failed to reproduce him. What was more curious, was the capriciousness with which his portrait seemed to light itself up in my mind, elsewhere. I might be walking in the Palais Royal, lazily enjoying the shop windows, and might be regaling myself with one of the ready-made clothes shops that are set out there. My eyes, wandering over impossible-waisted dressing-gowns and luminous waistcoats, would fall upon the master, or the shopman, or even the very dummy at the door, and would suggest to me, 'Something like him!' - and instantly I was sickened again.
This would happen at the theatre, in the same manner. Often it would happen in the street, when I certainly was not looking for the likeness, and when probably there was no likeness there. It was not because the creature was dead that I was so haunted, because I know that I might have been (and I know it because I have been) equally attended by the image of a living aversion. This lasted about a week. The picture did not fade by degrees, in the sense that it became a whit less forcible and distinct, but in the sense that it obtruded itself less and less frequently. The experience may be worth considering by some who have the care of children. It would be difficult to overstate the intensity and accuracy of an intelligent child's observation. At that impressible time of life, it must sometimes produce a fixed impression. If the fixed impression be of an object terrible to the child, it will be (for want of reasoning upon) inseparable from great fear. Force the child at such a time, be Spartan with it, send it into the dark against its will, leave it in a lonely bedroom against its will, and you had better murder it.
On a bright morning I rattled away from Paris, in the German chariot, and left the large dark creature behind me for good. I ought to confess, though, that I had been drawn back to the Morgue, after he was put underground, to look at his clothes, and that I found them frightfully like him - particularly his boots. However, I rattled away for Switzerland, looking forward and not backward, and so we parted company.
Welcome again, the long, long spell of France, with the queer country inns, full of vases of flowers and clocks, in the dull little town, and with the little population not at all dull on the little Boulevard in the evening, under the little trees! Welcome Monsieur the Cure, walking alone in the early morning a short way out of the town, reading that eternal Breviary of yours, which surely might be almost read, without book, by this time! Welcome Monsieur the Cure, later in the day, jolting through the highway dust (as if you had already ascended to the cloudy region), in a very big-headed cabriolet, with the dried mud of a dozen winters on it. Welcome again Monsieur the Cure, as we exchange salutations; you, straightening your back to look at the German chariot, while picking in your little village garden a vegetable or two for the day's soup: I, looking out of the German chariot window in that delicious traveller's trance which knows no cares, no yesterdays, no to-morrows, nothing but the passing objects and the passing scents and sounds! And so I came, in due course of delight, to Strasbourg, where I passed a wet Sunday evening at a window, while an idle trifle of a vaudeville was played for me at the opposite house.
How such a large house came to have only three people living in it, was its own affair. There were at least a score of windows in its high roof alone; how many in its grotesque front, I soon gave up counting. The owner was a shopkeeper, by name Straudenheim; by trade - I couldn't make out what by trade, for he had forborne to write that up, and his shop was shut.
At first, as I looked at Straudenheim's, through the steadily falling rain, I set him up in business in the goose-liver line.
But, inspection of Straudenheim, who became visible at a window on the second floor, convinced me that there was something more precious than liver in the case. He wore a black velvet skull-cap, and looked usurious and rich. A large-lipped, pear-nosed old man, with white hair, and keen eyes, though near-sighted. He was writing at a desk, was Straudenheim, and ever and again left off writing, put his pen in his mouth, and went through actions with his right hand, like a man steadying piles of cash. Five-franc pieces, Straudenheim, or golden Napoleons? A jeweller, Straudenheim, a dealer in money, a diamond merchant, or what?
Below Straudenheim, at a window on the first floor, sat his housekeeper - far from young, but of a comely presence, suggestive of a well-matured foot and ankle. She was cheerily dressed, had a fan in her hand, and wore large gold earrings and a large gold cross. She would have been out holiday-****** (as I settled it) but for the pestilent rain. Strasbourg had given up holiday-****** for that once, as a bad job, because the rain was jerking in gushes out of the old roof-spouts, and running in a brook down the middle of the street. The housekeeper, her arms folded on her bosom and her fan tapping her chin, was bright and smiling at her open window, but otherwise Straudenheim's house front was very dreary.
