"I had to go twenty-five versts by carriage and eight hours by train. By carriage it was a very pleasant journey. The coolness of autumn was accompanied by a brilliant sun. You know the weather when the wheels imprint themselves upon the dirty road.
The road was level, and the light strong, and the air strengthening. The tarantass was comfortable. As I looked at the horses, the fields, and the people whom we passed, I forgot where I was going. Sometimes it seemed to me that I was travelling without an object,--simply promenading,--and that Ishould go on thus to the end of the world. And I was happy when I so forgot myself. But when I remembered where I was going, Isaid to myself: 'I shall see later. Don't think about it.'
"When half way, an incident happened to distract me still further. The tarantass, though new, broke down, and had to be repaired. The delays in looking for a telegue, the repairs, the payment, the tea in the inn, the conversation with the dvornik, all served to amuse me. Toward nightfall all was ready, and Istarted off again. By night the journey was still pleasanter than by day. The moon in its first quarter, a slight frost, the road still in good condition, the horses, the sprightly coachman, all served to put me in good spirits. I scarcely thought of what awaited me, and was gay perhaps because of the very thing that awaited me, and because I was about to say farewell to the joys of life.
"But this tranquil state, the power of conquering my preoccupation, all ended with the carriage drive. Scarcely had I entered the cars, when the other thing began. Those eight hours on the rail were so terrible to me that I shall never forget them in my life. Was it because on entering the car I had a vivid imagination of having already arrived, or because the railway acts upon people in such an exciting fashion? At any rate, after boarding the train I could no longer control my imagination, which incessantly, with extraordinary vivacity, drew pictures before my eyes, each more cynical than its predecessor, which kindled my jealousy. And always the same things about what was happening at home during my absence. I burned with indignation, with rage, and with a peculiar feeling which steeped me in humiliation, as I contemplated these pictures. And I could not tear myself out of this condition. I could not help looking at them, I could not efface them, I could not keep from evoking them.
"The more I looked at these imaginary pictures, the more Ibelieved in their reality, forgetting that they had no serious foundation. The vivacity of these images seemed to prove to me that my imaginations were a reality. One would have said that a demon, against my will, was inventing and breathing into me the most terrible fictions. A conversation which dated a long time back, with the brother of Troukhatchevsky, I remembered at that moment, in a sort of ecstasy, and it tore my heart as I connected it with the musician and my wife. Yes, it was very long ago.
The brother of Troukhatchevsky, answering my questions as to whether he frequented disreputable houses, said that a respectable man does not go where he may contract a disease, in a low and unclean spot, when one can find an honest woman. And here he, his brother, the musician, had found the honest woman.
'It is true that she is no longer in her early youth. She has lost a tooth on one side, and her face is slightly bloated,' thought I for Troukhatchevsky. 'But what is to be done? One must profit by what one has.'
"'Yes, he is bound to take her for his mistress,' said I to myself again; 'and besides, she is not dangerous.'
"'No, it is not possible' I rejoined in fright. 'Nothing, nothing of the kind has happened, and there is no reason to suppose there has. Did she not tell me that the very idea that I could be jealous of her because of him was humiliating to her?' 'Yes, but she lied,' I cried, and all began over again.
