登陆注册
37918500000028

第28章 11(2)

There must be such a naturally attached 'medium' as flesh, for no living body could be constructed of air or water; it must be something solid. Consequently it must be composed of earth along with these, which is just what flesh and its analogue in animals which have no true flesh tend to be. Hence of necessity the medium through which are transmitted the manifoldly contrasted tactual qualities must be a body naturally attached to the organism. That they are manifold is clear when we consider touching with the tongue; we apprehend at the tongue all tangible qualities as well as flavour. Suppose all the rest of our flesh was, like the tongue, sensitive to flavour, we should have identified the sense of taste and the sense of touch; what saves us from this identification is the fact that touch and taste are not always found together in the same part of the body. The following problem might be raised. Let us assume that every body has depth, i.e. has three dimensions, and that if two bodies have a third body between them they cannot be in contact with one another; let us remember that what is liquid is a body and must be or contain water, and that if two bodies touch one another under water, their touching surfaces cannot be dry, but must have water between, viz. the water which wets their bounding surfaces; from all this it follows that in water two bodies cannot be in contact with one another. The same holds of two bodies in air-air being to bodies in air precisely what water is to bodies in water-but the facts are not so evident to our observation, because we live in air, just as animals that live in water would not notice that the things which touch one another in water have wet surfaces. The problem, then, is: does the perception of all objects of sense take place in the same way, or does it not, e.g. taste and touch requiring contact (as they are commonly thought to do), while all other senses perceive over a distance? The distinction is unsound; we perceive what is hard or soft, as well as the objects of hearing, sight, and smell, through a 'medium', only that the latter are perceived over a greater distance than the former; that is why the facts escape our notice. For we do perceive everything through a medium; but in these cases the fact escapes us. Yet, to repeat what we said before, if the medium for touch were a membrane separating us from the object without our observing its existence, we should be relatively to it in the same condition as we are now to air or water in which we are immersed; in their case we fancy we can touch objects, nothing coming in between us and them. But there remains this difference between what can be touched and what can be seen or can sound; in the latter two cases we perceive because the medium produces a certain effect upon us, whereas in the perception of objects of touch we are affected not by but along with the medium; it is as if a man were struck through his shield, where the shock is not first given to the shield and passed on to the man, but the concussion of both is simultaneous.

In general, flesh and the tongue are related to the real organs of touch and taste, as air and water are to those of sight, hearing, and smell. Hence in neither the one case nor the other can there be any perception of an object if it is placed immediately upon the organ, e.g. if a white object is placed on the surface of the eye.

This again shows that what has the power of perceiving the tangible is seated inside. Only so would there be a complete analogy with all the other senses. In their case if you place the object on the organ it is not perceived, here if you place it on the flesh it is perceived; therefore flesh is not the organ but the medium of touch.

What can be touched are distinctive qualities of body as body; by such differences I mean those which characterize the elements, viz, hot cold, dry moist, of which we have spoken earlier in our treatise on the elements. The organ for the perception of these is that of touch-that part of the body in which primarily the sense of touch resides. This is that part which is potentially such as its object is actually: for all sense-perception is a process of being so affected; so that that which makes something such as it itself actually is makes the other such because the other is already potentially such. That is why when an object of touch is equally hot and cold or hard and soft we cannot perceive; what we perceive must have a degree of the sensible quality lying beyond the neutral point. This implies that the sense itself is a 'mean' between any two opposite qualities which determine the field of that sense. It is to this that it owes its power of discerning the objects in that field. What is 'in the middle' is fitted to discern; relatively to either extreme it can put itself in the place of the other. As what is to perceive both white and black must, to begin with, be actually neither but potentially either (and so with all the other sense-organs), so the organ of touch must be neither hot nor cold.

Further, as in a sense sight had for its object both what was visible and what was invisible (and there was a parallel truth about all the other senses discussed), so touch has for its object both what is tangible and what is intangible. Here by 'intangible' is meant (a) what like air possesses some quality of tangible things in a very slight degree and (b) what possesses it in an excessive degree, as destructive things do.

We have now given an outline account of each of the several senses.

同类推荐
热门推荐
  • 都市扫把星

    都市扫把星

    天有星辰,主命者一十四,散辅者数百。所谓玉皇紫微共青华,勾陈后土伴长生。其余南斗北斗、太阴太阳、天罡地煞、二十八宿尽在其中。这里是星辰的世界,也是他们的战场。习惯性倒霉的乐天同学在地摊上购买了一枚扫帚型的玉饰,然后就发现,自己身边渐渐多了些奇奇怪怪的人……乐天语录一:这个世界上强大的方法有两种,一是提升自己,二是削弱别人。我对第二种比较在行。乐天语录二:瞪谁谁怀孕算什么,瞪谁谁倒霉才厉害!当然,怀孕也是可以的。
  • 斗战龙帝

    斗战龙帝

    天道不仁,我便逆天,我要横扫一切挡我路之人,管你什么人族圣贤,武道至尊,通通踩在脚下。我若化龙,龙族必以我为尊,修九转神龙诀,成天地万物主宰,敢问谁与争锋!
  • 东明札记

    东明札记

    东明有山,古道宁杭,古木参天,郁郁苍苍。朝登金山顶,遥对钱塘江;夜宿东明寺,梵响透清霜――当生活节奏加快到仿佛没有了生活,当争分夺秒到似乎虚度了岁月,不妨放下身段,只带上一颗亲近山林尚友古人的心,沿着寂寞的宁杭古道追寻一段悠悠往昔岁月。
  • 天地神榜

    天地神榜

    封神之战五万年后,混沌中飞出一物,天地神榜,传说中名列其上者,可得超脱。一时间,原本平静的天地再起波澜。
  • 搞笑的宿敌

    搞笑的宿敌

    一个励志成为喜剧演员的高中生的日常生活。
  • 犬夜叉之炼狱国度

    犬夜叉之炼狱国度

    四魂之玉摧毁后,世界真的就平静了吗?为何一道契约通过时空隧道,出现在他们的面前,他们该如何选择?这又将是怎么样的一段旅程?犬夜叉会向在战国时期那样的厉害吗?杀生丸是否还会再次丢下玲吗?奈落是否死去?炼狱国度会旋起什么样的风波?杀生丸是否认同犬夜叉这个弟弟?玲会和杀生丸在一起吗?最后的结局是否完美?
  • 和乐天感鹤

    和乐天感鹤

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 鬼道天下

    鬼道天下

    【起点第二编辑组出品】仙有仙道,魔有魔道,人有人道,鬼有鬼道。赵铭这个一心发财的小杂货店老板,却剑走偏锋修炼禁忌鬼术,踏入鬼道一途。当一个肥嘟嘟的鬼魂突然闯入的时候,赵铭这个底层小人物的生活开始发生了剧烈的变化。著名的财团,大家族的千金,远古的魔神,冥界的君王,这些处于看不见的顶层的大人物,一个个在他的眼前出现。他在各种庞大势力之间游走,获取利益,逐渐壮大。~~~~~~~~这是一本比较轻松的小说,不含恐怖惊悚成分。不管怎样,绝对不tj,已经有过全本记录鸟~~
  • 调皮王妃:穿越历险记

    调皮王妃:穿越历险记

    林书渺,二十一世纪一名普通高三狗,没想到突然有一天穿越。不过,这究竟是美梦还是噩梦啊!没有显赫的家世倒也罢了,怎么还有那么多仇敌?!哼,好歹也是受过高等教育的现代人,岂能被一群古人欺负!更何况,她还有着别人无法想象的超级能力,正所谓艺高人胆大,看她手撕白莲花,脚踢蛇蝎女,劫富济贫,除恶扬善~不过,这美男怎么还没怎么撩,就甩都甩不掉了呢?
  • 怒剑轻吟

    怒剑轻吟

    流离奔走未停歇,心中至爱终不得。兄弟将别心难舍,三尺青锋划长夜。仗长剑,饮烈酒,引吭高歌。吾本是侠,当闻雨打青竹,当看剑光凛冽。