She did not know how she would manage to escape the keen eyes of Wagalexa Conka and to steal away from the ranch, especially if she had to work in the picture that day. But Luck unconsciously opened wide the trail for her. He announced at breakfast that they would work up in Bear Canon that day, and that he would not need Jean or Annie either; and that, as it would be hotter than the hinges of Gehenna up in that canon, they had better stay at home and enjoy themselves.
Annie-Many-Ponies did not betray by so much as a flicker of the lashes that she heard him much less that it was the best of good news to her. She went into her tent and packed all of her clothes into a bundle which she wrapped in her plaid shawl, and was proud because the bundle was so big, and because she had much fine beadwork and so many red ribbons, and a waist of bright blue silk which she would wear when she stood before the priest, if Ramon did not like the dress of beaded buckskin.
A ring with an immense red stone in it which Ramon had given her, she slipped upon her finger with her little, inscrutable smile. She was engaged to be married, now, just like white girls; and tomorrow she would have a wide ring of shiny gold for that finger, and should be the wife of Ramon.
Just then Shunka Chistala, lying outside her tent, flapped his tail on the ground and gave a little, eager whine. Annie-Many-Ponies thrust her head through the opening and looked out, and then stepped over the little black dog and stood before her tent to watch the Happy Family mount and ride away with Wagalexa Conka in their midst and with the mountain wagon rattling after them loaded with "props" and the camera and the noonday lunch and Pete Lowry and Tommy Johnson, the scenic artist. Applehead was going to drive the wagon, and she scowled when he yanked off the brake and cracked the whip over the team.
Luck, feeling perchance the intensity of her gaze, turned in the saddle and looked back. The eyes of Annie-Many-Ponies softened and saddened, because this was the last time she would see Wagalexa Conka riding away to make pictures--the last time she would see him. She lifted her hand, and made the Indian sign of farewell--the peace-go-with-you sign that is used for solemn occasions of parting.
Luck pulled up short and stared. What did she mean by that? He reined his horse around, half minded to ride back and ask her why she gave him that peace-sign. She had never done it before, except once or twice in scenes that he directed. But after all he did not go. They were late in getting started that morning, which irked his energetic soul; and women's whims never did impress Luck Lindsay very deeply. Besides, just as he was turning to ride back, Annie stooped and went into her tent as though her gesture had carried no especial meaning.
Then in her tent he heard her singing the high, weird chant of the Omaha mourning song anad again he was half- minded to go back, though the wailing minor notes, long drawn and mournful, might mean much or they might mean merely a fit of the blues. The others rode on talking and laughing together, and Luck rode with them; but the chant of the Omaha was in his ears and tingling his nerves. And the vision of Annie-Many-Ponies standing straight before her tent and ****** the sign of peace and farewell haunted him that day.
Rosemary and Jean, standing in the porch, waved good-bye to their men folk until the last bobbing hatcrown had gone down out of sight in the long, low swale that creased the mesa in that direction. Whereupon they went into the house.
"What in the world is the matter with Annie?" Jean exploded, with a little shiver. "I'd rather hear a band of gray wolves tune up when you're caught out in the breaks and have to ride in the dark. What is that caterwaul? Do you suppose she's on the warpath or anything?""Oh, that's just the squaw coming out in her!" Rosemary slammed the door shut so they could not hear so plainly. "She's getting more Injuny every day of her life. I used to try and treat her like a white girl--but you just can't do it, Jean.""Hiu-hiu-hi-i-ah-h! Hiu-hiu-hi-i-ah-h-h--hiaaa-h-h!"Jean stood in the middle of the room and listened. "Br-r-r!" she shivered--and one could not blame her. I wonder if she'd be mad," she drawled, "if I went out and told her to shut up. It sounds as if somebody was dead, or going to die or something. Like Lite says your dog will howl if anything --""Oh, for pity sake!" Rosemary pushed her into the living room with make-believe savageness. "I've heard her and Luck sing that last winter. And there's a kind of a teetery dance that goes with it. It's supposed to be a mourning song, as Luck explains it. But don't pay any attention to her at all.
She just does it to get on our nerves. It'd tickle her to death if she thought it made us nervous.""And now the dog is joining in on the chorus! I must say they're a cheerful pair to have around the house. And I know one thing--if they keep that up much longer, I'll either get out there with a gun, or saddle up and follow the boys.""They'd tease us to death, Jean, if we let Annie run us out.""It's run or be run," Jean retorted irritatedly. "I wanted to write poetry today--I thought of an awfully striking sentence about the--for heaven's sake, where's a shotgun?""Jean, you wouldn't!" Rosemary, I may here explain, was very femininely afraid of guns. "She'd--why, there's no telling WHAT she might do! Luck says she carries a knife.""What if she does? She ought to carry a few bird-shot, too. She's got nothing to mourn about--nobody's died, has there?
