Mrs. Chickerel, in deploring the risks of their present speculative mode of life, was far from imagining that signs of the foul future so much dreaded were actually apparent to Ethelberta at the time the lament was spoken. Hence the daughter's uncommon sensitiveness to prophecy. It was as if a dead-reckoner poring over his chart should predict breakers ahead to one who already beheld them.
That her story-telling would prove so attractive Ethelberta had not ventured to expect for a moment; that having once proved attractive there should be any falling-off until such time had elapsed as would enable her to harvest some solid fruit was equally a surprise.
Future expectations are often based without hesitation upon one happy accident, when the only similar condition remaining to subsequent sets of circumstances is that the same person forms the centre of them. Her situation was so peculiar, and so unlike that of most public people, that there was hardly an argument explaining this triumphant opening which could be used in forecasting the close; unless, indeed, more strategy were employed in the conduct of the campaign than Ethelberta seemed to show at present.
There was no denying that she commanded less attention than at first: the audience had lessened, and, judging by appearances, might soon be expected to be decidedly thin. In excessive lowness of spirit, Ethelberta translated these signs with the bias that a lingering echo of her mother's dismal words naturally induced, reading them as conclusive evidence that her adventure had been chimerical in its birth. Yet it was very far less conclusive than she supposed. Public interest might without doubt have been renewed after a due interval, some of the falling-off being only an accident of the season. Her novelties had been hailed with pleasure, the rather that their freshness tickled than that their intrinsic merit was appreciated; and, like many inexperienced dispensers of a unique charm, Ethelberta, by bestowing too liberally and too frequently, was destroying the very element upon which its popularity depended.
Her entertainment had been good in its conception, and partly good in its execution; yet her success had but little to do with that goodness. Indeed, what might be called its badness in a histrionic sense--that is, her look sometimes of being out of place, the sight of a beautiful woman on a platform, revealing tender airs of domesticity which showed her to belong by character to a quiet drawing-room--had been primarily an attractive feature. But alas, custom was staling this by improving her up to the mark of an utter impersonator, thereby eradicating the pretty abashments of a poetess out of her sphere; and more than one well-wisher who observed Ethelberta from afar feared that it might some day come to be said of her that she had 'Enfeoffed herself to popularity:
That, being daily swallowed by men's eyes, They surfeited with honey, and began To loathe the taste of sweetness, whereof a little More than a little is by much too much.'
But this in its extremity was not quite yet.
We discover her one day, a little after this time, sitting before a table strewed with accounts and bills from different tradesmen of the neighbourhood, which she examined with a pale face, collecting their totals on a blank sheet. Picotee came into the room, but Ethelberta took no notice whatever of her. The younger sister, who subsisted on scraps of notice and favour, like a dependent animal, even if these were only an occasional glance of the eye, could not help saying at last, 'Berta, how silent you are. I don't think you know I am in the room.'
'I did not observe you,' said Ethelberta. 'I am very much engaged: these bills have to be paid.'
'What, and cannot we pay them?' said Picotee, in vague alarm.
'O yes, I can pay them. The question is, how long shall I be able to do it?'
'That is sad; and we are going on so nicely, too. It is not true that you have really decided to leave off story-telling now the people don't crowd to hear it as they did?'
'I think I shall leave off.'
'And begin again next year?'
'That is very doubtful.'
'I'll tell you what you might do,' said Picotee, her face kindling with a sense of great originality. 'You might travel about to country towns and tell your story splendidly.'
'A man in my position might perhaps do it with impunity; but I could not without losing ground in other domains. A woman may drive to Mayfair from her house in Exonbury Crescent, and speak from a platform there, and be supposed to do it as an original way of amusing herself; but when it comes to starring in the provinces she establishes herself as a woman of a different breed and habit. Iwish I were a man! I would give up this house, advertise it to be let furnished, and sally forth with confidence. But I am driven to think of other ways to manage than that.'
Picotee fell into a conjectural look, but could not guess.
'The way of marriage,' said Ethelberta. 'Otherwise perhaps the poetess may live to become what Dryden called himself when he got old and poor--a rent-charge on Providence. . . . . Yes, I must try that way,' she continued, with a sarca** towards people out of hearing. I must buy a "Peerage" for one thing, and a "Baronetage,"and a "House of Commons," and a "Landed Gentry," and learn what people are about me. 'I must go to Doctors' Commons and read up wills of the parents of any likely gudgeons I may know. I must get a Herald to invent an escutcheon of my family, and throw a genealogical tree into the bargain in consideration of my taking a few second-hand heirlooms of a pawnbroking friend of his. I must get up sham ancestors, and find out some notorious name to start my pedigree from. It does not matter what his character was; either villain or martyr will do, provided that he lived five hundred years ago. It would be considered far more creditable to make good my descent from Satan in the age when he went to and fro on the earth than from a ministering angel under Victoria.'
