COUNT ILYA ANDREITCH had given up being a marshal of nobility, because that position involved too heavy an expenditure. But his difficulties were not removed by that. Often Natasha and Nikolay knew of uneasy, private consultations between their parents, and heard talk of selling the sumptuous ancestral house of the Rostovs and the estate near Moscow. When the count was no longer marshal it was not necessary to entertain on such a large scale, and they led a quieter life at Otradnoe than in former years. But the immense house and the lodges were still full of people; more than twenty persons still sat down to table with them. These were all their own people, time-honoured inmates of their household, almost members of the family, or persons who must, it seemed, inevitably live in the count’s house. Such were Dimmler, the music-master, and his wife; Vogel the dancing-master, with his family; an old Madame Byelov, and many others besides; Petya’s tutors, the girls’ old governess, and persons who simply found it better or more profitable to live at the count’s than in a house of their own. They did not entertain so many guests as before, but they still lived in that manner, apart from which the count and countess could not have conceived of life at all. There was still the same hunting establishment, increased indeed by Nikolay. There were still the same fifty horses and fifteen grooms in the stables; the same costly presents on name-days, and ceremonial dinners to the whole neighbourhood. There were still the count’s games of whist and boston, at which, letting every one see his cards, he allowed himself to be plundered every day of hundreds by his neighbours, who looked upon the privilege of ****** up a rubber with Count Ilya Andreitch as a profitable investment.
The count went into his affairs as though walking into a huge net, trying not to believe that he was entangled, and at every step getting more and more entangled, and feeling too feeble either to tear the nets that held him fast, or with care and patience to set about disentangling them. The countess with her loving heart felt that her children were being ruined, that the count was not to blame, that he could not help being what he was, that he was distressed himself （though he tried to conceal it） at the consciousness of his own and his children’s ruin, and was seeking means to improve their position. To her feminine mind only one way of doing so occurred—that was, to marry Nikolay to a wealthy heiress. She felt that this was their last hope, and that if Nikolay were to refuse the match she had found for him she must bid farewell for ever to all chance of improving their position. This match was Julie Karagin, the daughter of excellent and virtuous parents, known to the Rostovs from childhood, and now left a wealthy heiress by the death of her last surviving brother.
