Bianca (whose sociology was sounder), while affirming that charity was wrong, since in a properly constituted State no one should need help, referred her cases, like Stephen, to the "Society for the Prevention of Begging," which took much time and many pains to ascertain the worst.
But in this case what was of importance was that the poor girl should have a meal, and after that to find out if she were living in a decent house; and since she appeared not to be, to recommend her somewhere better. And as in charity it is always well to kill two birds with one expenditure of force, it was found that Mrs. Hughs, the seamstress, had a single room to let unfurnished, and would be more than glad of four shillings, or even three and six, a week for it. Furniture was also found for her: a bed that creaked, a washstand, table, and chest of drawers; a carpet, two chairs, and certain things to cook with; some of those old photographs and prints that hide in cupboards, and a peculiar little clock, which frequently forgot the time of day. All these and some elementary articles of dress were sent round in a little van, with three ferns whose time had nearly come, and a piece of the plant called "honesty." Soon after this she came to "sit." She was a very quiet and passive little model, and was not required to pose half-draped, Bianca having decided that, after all, "The Shadow" was better represented fully clothed; for, though she discussed the nude, and looked on it with *******, when it came to painting unclothed people, she felt a sort of physical aversion.
Hilary, who was curious, as a man naturally would be, about anyone who had fainted from hunger at his feet, came every now and then to see, and would sit watching this little half-starved girl with kindly and screwed-up eyes. About his personality there was all the evidence of that saying current among those who knew him: "Hilary would walk a mile sooner than tread on an ant." The little model, from the moment when he poured liqueur between her teeth, seemed to feel he had a claim on her, for she reserved her small, matter-of-fact confessions for his ears. She made them in the garden, coming in or going out; or outside, and, now and then, inside his study, like a child who comes and shows you a sore finger. Thus, quite suddenly:
"I've four shillings left over this week, Mr. Dallison," or, "Old Mr. Creed's gone to the hospital to-day, Mr. Dallison."Her face soon became less bloodless than on that first evening, but it was still pale, inclined to colour in wrong places on cold days, with little blue veins about the temples and shadows under the eyes.
The lips were still always a trifle parted, and she still seemed to be looking out for what was coming, like a little Madonna, or Venus, in a Botticelli picture. This look of hers, coupled with the matter-of-factness of her speech, gave its flavour to her personality....
On Christmas Day the picture was on view to Mr. Purcey, who had chanced to "give his car a run," and to other connoisseurs. Bianca had invited her model to be present at this function, intending to get her work. But, slipping at once into a corner, the girl had stood as far as possible behind a canvas. People, seeing her standing there, and noting her likeness to the picture, looked at her with curiosity, and passed on, murmuring that she was an interesting type. They did not talk to her, either because they were afraid she could not talk of the things they could talk of, or that they could not talk of the things she could talk of, or because they were anxious not to seem to patronize her. She talked to one, therefore.
This occasioned Hilary some distress. He kept coming up and smiling at her, or ****** tentative remarks or jests, to which she would reply, "Yes, Mr. Dallison," or "No, Mr. Dallison," as the case might be.
Seeing him return from one of these little visits, an Art Critic standing before the picture had smiled, and his round, clean-shaven, sensual face had assumed a greenish tint in eyes and cheeks, as of the fat in turtle soup.
The only two other people who had noticed her particularly were those old acquaintances, Mr. Purcey and Mr. Stone. Mr. Purcey had thought, 'Rather a good-lookin' girl,' and his eyes strayed somewhat continually in her direction. There was something piquant and, as it were, unlawfully enticing to him in the fact that she was a real artist's model.
Mr. Stone's way of noticing her had been different. He had approached in his slightly inconvenient way, as though seeing but one thing in the whole world.
"You are living by yourself?" he had said. "I shall come and see you."Made by the Art Critic or by Mr. Purcey, that somewhat strange remark would have had one meaning; made by Mr. Stone it obviously had another. Having finished what he had to say, the author of the book of "Universal Brotherhood" had bowed and turned to go. Perceiving that he saw before him the door and nothing else, everybody made way for him at once. The remarks that usually arose behind his back began to be heard--"Extraordinary old man!" "You know, he bathes in the Serpentine all the year round?" "And he cooks his food himself, and does his own room, they say; and all the rest of his time he writes a book!" "A perfect crank!"
